I felt terrible destroying them, because I actually met the artists during pre-production, and they did such a wonderful job, and here I was destroying it. He found all of these incredible local, up-and-coming Chilean artists to do all of those sculptures. Our art director,В Marichi Palacios, did an awesome job. When we were destroying a set of statues, it was physically very hard, because they were real statues, not props. Of all the destructive things you had to do, which was the most enjoyable? I wasnвЂ™t really in the scene I was just in my mind thinking, This is happening.вЂќ I could not stop thinking about how I was cutting Keanu ReevesвЂ™ hair. How do you feel about this?вЂќ He was like, вЂњYeah, yeah, just cut it, man.вЂќ So Ana was sitting on top of him, and IвЂ™m cutting his hair. But I had go up to him and say, вЂњIвЂ™m gonna have real scissors. I really cut Keanu ReevesвЂ™ hair! I told my mom, I called her and said, вЂњMom, IвЂ™m really nervous.вЂќ And she goes, вЂњOK, but itвЂ™s a wig.,вЂќ and I told her, вЂњNo, IвЂ™m cutting Keanu ReevesвЂ™ hair! Mom, itвЂ™s Neo, what do I do?вЂќ Genesis does plenty of terrible things throughout the film, but at one point she cuts Keanu ReevesвЂ™ characterвЂ™s hair. There are glimpses that you could maybe get, but itвЂ™s easy to lose them. It reminded me of Fatal AttractionВ and Hard CandyВ and Funny Games.В I feel like it was a risky script and I donвЂ™t see that very often.Дid you create a backstory for the character, then? Watching the movie, you donвЂ™t get a sense of how she ended up the way she is. What an awesome character to play thereвЂ™s so much going on in her little brain, and thereвЂ™s the love between her and this other character, Belle, which I thought was so interesting. When I read Knock KnockВ I saw this very troubled human being who at the same time was empowered and very powerful, with a mission to sort of show the world what men can really be, and to say that the rules are not OK with her.

Your character, Genesis, makes a strong case for never opening the door to a stranger. Here, Izzo-the Chilean-born actress who also stars in the recent thriller The Green Inferno-explains the draw of scary movies and why a simple haircut might have been the most terrifying scene of her career. What follows is a tense, frightening game of cats-and-mouse that makes it clear nothing a viewer thinks he knows about anyone involved is even remotely true.

In Knock Knock, the enthralling new horror film by director Eli Roth, two young women (Lorenza Izzo and Ana de Armas) appear at the door of an architect (Keanu Reeves) whose family has gone away for the weekend.

Knock knock nude scene